Donald Judd’s Untitled (1988) exemplifies his commitment to minimalism through geometric precision and repetition. His use of industrial materials, such as painted aluminum, emphasizes the relationship between art, space, and its surroundings. By stripping away ornamentation, Judd creates a direct, spatial experience that engages with architecture and the environment.

Donald Judd’s Untitled 10-R (1968) and Untitled 9-L (1978) exemplify his use of industrial materials to create precise geometric forms. His emphasis on materiality and structure reflects a dialogue between human-made objects and the natural world, echoing the rhythms and patterns found in nature. The works interact with their environment by responding to light and space, highlighting the relationship between art, landscape, and the viewer’s physical experience.